last Summer the Summer before the one that just finished (!) about how Sam got his first proper bike, and how that reminded me of the day I got my first proper guitar. That post developed into a history lesson on the first three (3) guitars I owned. At the time I thought it might be interesting to write about some of the other guitars (and basses) in my collection. This idea got as far as having Samuel Sheep take photos of each guitar with his flashy XLR camera....and no further. Well, until now!
So, first a recap: the first guitar I got my hands on was my father's Levin. This was followed by the all-white low-budget Marlin Slammer at the beginning of 1987, and then the Japan-built metallic-blue Fender Stratocaster almost a year later. Two of these guitars remain in my family today, and all three were documented here.
(5) Charvel Model 2 1986/87
Charvel began in the early 80's as a California based company that, through a link-up with Jackson, produced guitars in Japan from 1986 to 1996. It is only the first six years of that production run that are remembered with any fondness however.
This guitar is a Model 2 (basswood body, maple bolt-on neck, rosewood fretboard, 1x bridge pickup and 1x volume control) and was built in either late 1986 or early 1987. The serial number (248xxx) falls on the borderline, and the guitar has features of both model years: the Kahler 2500 series bridge indicates '86, while the combination of "R" on the headstock logo and "TM" on the neck plate is more typical of '87.
I acquired this guitar used in (I think) early 1993 from a friend for 200 quid. He let me pay in installments. I was going to use it to learn how to play like EVH. I didn't get very far, which is a shame because this guitar has the perfect low-action set up and ultra-flat neck for double tapping.
I've always looked down on this guitar as a poor man's Jackson, even though it plays really well. I've recently discovered that Charvels from this era are actually quite sought after. Maybe not as much as the American Charvels from the very early 80's, but still worth a few $$$ to the right people. In truth, this guitar has hardly even been out of its case since I brought it to the States (see below).
(6) Maison TB-380 bass 1990s
Maison was a relatively short-lived South Korean company which made budget copies of well-known guitars and basses. Very little is known about production dates and numbers, and I am not even 100% sure I have the model number correct.
I bought this bass used from Rockbottom in Croydon one lunchtime in late '93 or early '94. I wanted to learn bass, and maybe get into a punk band. I basically asked one of the guys at Rockbottom what they had that was cheap and the Maison was what they came up with. I think I paid about 150 quid for it. I played it through my Fender Reverb 35 watt guitar amp. This is a really good beginners instrument, a lot better than the price tag implies. This bass had a rebirth in 2007 after I brought it to America, as shown in the third photo, but it has rarely seen the light of day since then.
(7) Washburn D11-N acoustic 1996
I moved to Manchester in spring 1995. It seemed like a long way from the old homestead back then. Only the blue Strat made the trip. The Charvel, the Rickenbacker and the Maison bass, all of which I still own, were consigned to a South London closet. After playing the Strat without an amp for over a year, I decided I needed a decent, but still affordable acoustic guitar. After a false start with a cheap Fender acoustic, I found the Washburn at A1 Music one Saturday morning in 1996. (A1 Music used to be at 88 Oxford Road in Manchester next to the Salisbury pub and across the street from Jilly's Rockworld, all of which was emitting an agonizing death rattle at the time).
This guitar remains the most played instrument in my collection. It was my main instrument since it was bought until it was essentially retired in 2016. I think it cost around UKP 250, and for that I got a really nice and very playable guitar. The D11-N has a beautiful natural-finished book matched mountain ash top, back and sides for an exceptional tone and unusual appearance. The neck is mahogany with a rosewood fretboard. One of the original chrome grover tuners broke, and for years I had a mismatched tuning peg. A couple of year ago I forked out for a replacement set of gold plated grovers. They are very similar, but I had to drill some extra holes in the back of the peghead.
(7b) Fender Telecaster 2000s
I forget why exactly I had to return the Ovation - maybe it was too nice to be out on loan - but in its place Chairmen Tinfoil lent me an almost-new USA-made Telecaster. The Tele was made in about 2002; it was actually owned by Mrs. Chairman Tinfoil, although she didn't play guitar. The Tele, in spite of being a nice instrument, wasn't really what I was looking for - I was a confirmed acoustic player at this point, with little interest in leaning new riffs or strumming on an solid body electric guitar without an amp (again...). The Tele spent most of its time in my possession in its case.